Santa & Cole

顯示 34 筆結果中的 19–27 筆

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  • Fad

    By Santa & Cole Originally conceived to light the erstwhile central headquarters of FAD – a benchmark centre in Spain – the arrangement of these floor and table lamps strike a chord as an example of truly understood industrial craftsmanship by no means folkloric or mundane. A solid cylinder oak structure, with four openings hollowed out lengthwise, leads to an almost cylinder white linen shade. The upper metal shaft can be adjusted in height and the striking cross-shaped base, exuding Miguel Milá ’s creation, is the same size as the lower circumference of the shade. Unadulterated simplicity without surrendering to pointless frills.
  • Gatcpac

    By Santa & Cole Torres Clavé, an architect who was taken from us too early in the Spanish Civil War, founded GATCPAC, a group that sought to foster rationalist architecture in Catalonia and thus sympathised with the German Bauhaus and the modern movement. Along with his colleagues Sert, Subirana and others he designed a lamp that they offered as a gift in the buildings they erected, occasionally customising one detail or another as if laying down their collective signature. This is the GATCPAC lamp that Santa & Cole are re-editing according to Torres Clavé’s plans, thought to be the first and the original lamp of the many variations the group produced. It has a metal base and a tall shaft with a broad cross-section like an unsheathed column. At the top, a joint that can be adjusted by hand grips a dome-shaped shade that can be directed upwards (for indirect light) or to one side or the other (for direct light). This feature transforms it into a household light – a machine à illuminer – with a strict purpose, far from Greek or Roman historicist evocations. A flawlessly modern piece. The GATCPAC lamp is part of the Design Classics collection, a series of objects created at different times of modernism with the twofold aim of strengthening historical memory – which is sometimes endangered – and putting forward critical discussion on creation in industrial design beyond mere trends.
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  • Pie De Salon

    By Santa & Cole Jaume Sans’ public facet portrays him as a surrealist sculptor and painter, and a member of the ADLAN group, the supporters of which included such prominent figures as Dalí, Miró and Calder, all acquaintances of the GATCPAC architects with whom they shared their social venue in Passeig de Gràcia in pre-Spanish Civil War Barcelona. In his private life, Jaume Sans was the father of many children who became big names in the field of Catalan design (such as Pete Sans) and, on occasions, he also created several pieces for family use, such as his Pie de Salón. With a minimalist structure, the central shaft – covered in leather to lend it an improved feel – can be adjusted in height from the top and opens out onto a simple tripod base, allowing the cable to easily pass through. Shades in a range of colours and finishes can be used to give an impression of uncommon, warm, uncomplicated timelessness.
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  • Aj Royal

    By Santa & Cole In 1956, when Arne Jacobsen was commissioned by Scandinavian Airlines (SAS) to erect a multi-purpose tower in the centre of Copenhagen (an airline terminal, a travel agency and a hotel), from the outset he conceived a Gesamtkunstwerk, an all-embracing art form for which he designed not only the remarkable building but every detail inside, including furniture (such as the Swan chair and the renowned Egg armchair), upholstery, tableware, door handles, and so on. He also designed this elegant lamp that was used both in the lobby and the lounges, and indeed in every room of what would later be the SAS Royal Hotel. On the floor the cast base mirrors the elliptical shape of the white lightweight linen shade, gripping onto the stainless steel shaft. A chain hangs from the bottom of the shade to allow the two bulbs, one facing downwards and the other upwards, to be switched on in any combination (one, the other, both together or neither). This perfectly conveys the train of thought of its creator: “efficiency plus functionality equals style”. The AJ Royal lamp is currently part of our Design Classics collection.
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  • Trípode G5

    By Santa & Cole A bundle of three black tubes, joined like a set of chopsticks, holds up a generous ribbon shade. Trípode is a series conceived to lend plain rooms a warmer touch through the use of colour. The cotton shades revive long lost handicrafts and generate vivid hues of light. When on, the lamp provides a generous, warm light, and when off, it stands like a large sculpture, lending rooms a touch of class. The Trípode series comprises a floor lamp and a table version in two sizes: Trípode M3 and Trípode G6.
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  • TMM

    By Santa & Cole his is perhaps the most highly acclaimed pieces from one of Spain’s leading pioneering masters of industrial design. Miguel Milá managed to brilliantly separate the three vital components of any lamp: the structure, the electrical components and the shade, in an exquisite demonstration of earnest serenity and functional efficiency, allowing the user to put them together with tremendous ease and enabling better maintenance throughout its extensive service life. It becomes ever more glorious in time. A cross-shaped base supports a square wooden shaft that becomes a circle in the middle. The shade can be moved up or down it, held at the required height by a simple rubber ring. A genuine lesson in intelligence and good taste making minimal use of components. This was Miguel Milá’s first product that Santa & Cole re-released in 1986, 25 years after it initially saw the light of day. Today it is offered in a range of five different woods for the structure and two colours of shade: white or beige.
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  • Estadio

    By Santa & Cole A sturdy luminous ring, originally conceived for the 1992 Barcelona Olympic stadium, its concept predecessor is found in the ironwork luminaries used to hold up candles, the traditional depiction of mediaeval chandeliers in palaces and cathedrals. A tubular structure forms the frame of the ring, the inner and outer shades of which are made from glass block sections that disperse the light by means of vertical light and shade streaks. The Estadio collection, with various pendant diameters, is complemented by the Línea Estadio (with a straight structure, which can be linked one after the other) and the Estadio wall lamp. Size: 36 (H) x 150 / 250 (Dia)
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  • GT7

    By Santa & Cole The imposing GT7 ribbon shade lamp appears to be similar to the GT5, although it is larger in size, meaning it needed to be strengthened and had to incorporate an upper metal disc (near to the three light sources) as well as the lower light diffusing disc. Ever since the early 1990s, Santa & Cole has championed the use of ribbon shades to embellish all manner of light sources, exploring textiles and experimenting with colours and tones (they even enlisted the help of Raw Color studio). The GT5 was the first in the collection arising as an alternative to the use of continuous textile, methacrylate and cardboard shades. It was followed by the GT6 and, later on, the larger GT7, GT1000 and GT1500, designed for use in public venues owing to their large dimensions. This is a colourful family that is able to change its scale without losing its essence. Size: 44 (H) x 90 (Dia)
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  • La Colilla

    By Santa & Cole Certain presences can be felt as dusk falls: the stars in the sky, the fireflies of the night or the embers of the fireplace, as the sun goes down. Indeed, this lamp, conceived as an accompanying light, is ideal for music, conversation or love. Wherever the night falls, La Colilla has a home. It comprises a translucent, two-metre-long, lightly patterned tube that serves as the shade for an array of small neon bulbs. Its power usage is virtually nil (less than 1 watt) and it has an extensive service life, so much so that it comes without a switch so it may be left on around the clock. Hanging from a delicate, resistant thread it appears to be floating in thin air. It has a variety of uses: in bedrooms or lounges, a pilot light for the landing, staircase or porch, and even as calming guardian of children’s dreams. Size: 2.5 (H) x 200 (Dia)
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