All Products

顯示12個結果

  • BC3

    By Santa & Cole A pivoting metal arm comprising an angled tube that fits into a bracket, also made of metal, hiding the wall plug. Satin nickel structure with moveable arm and beech wood handle. Shade available in 7 finishes: Stitched beige parchment; natural, red-amber or black ribbon and terracotta, mustard or green Raw Color ribbon.  
  • BC2

    By Santa & Cole A fixed arm, featuring a straight transition from the vertical shaft (that incorporates a beech extension at the bottom) to the horizontal shaft, joining it to the wall and hiding the socket. Satin nickel structure with beech wood handle. Shade available in 7 finishes: Stitched beige parchment; natural, red-amber or black ribbon and terracotta, mustard or green Raw Color ribbon.
  • BC1

    By Santa & Cole A pivoting metal arm comprising an angled tube feeds the cable downwards to the nearest socket. The shaft has a beech handle at the bottom end to adjust the shade according to the light strength needed. Satin nickel structure and beech wood handle. Moveable arm with plug. Shade available in 7 finishes: Stitched beige parchment; natural, red-amber or black ribbon and terracotta, mustard or green Raw Color ribbon. Dimmer included.
  • Diana

    By Santa & Cole Treasured architect duo Federico Correa and Alfonso Milá once again enlisted the help of Alfonso’s younger brother and designer Miguel Milá in order to tackle the lighting in the new official office of the erstwhile mayor of Olympic Barcelona Pascual Maragall. The administrative centre would also be frequented by a large body of the international political community and was in urgent need of a revamp that would showcase the excellent standard of Barcelona design on the world stage. Santa & Cole produced the original lamps and in 1995 the company began the company embarked on limited production of this superbly austere series of lamps. Diana is slender, sturdy and remarkably lucid. It is formed by a large central metal base which houses a shaft, the diameter of which gets thinner as it rises, supporting a white linen shade in a smooth cone-like shape that disperses the light of two bulbs arranged in such a way as to avoid shadows forming on the shade. Its appearance seamlessly strikes a balance between classicism and modernism both at home and in the office. In keeping with the calling of their designers, all floor and table versions of the Diana series seek to conjure up “an image that is as timeless as can be”.
  • Trípode G6

    By Santa & Cole A bundle of three black tubes, joined like a set of chopsticks, holds up a generous ribbon shade. Trípode is a series conceived to lend plain rooms a warmer touch through the use of colour, and it comprises two sizes of table lamps and a widely known floor version – the G5 – considered to be a genuine icon of contemporary design: conventional, colourful and functional.
  • Diana

    By Santa & Cole Produced on the basis of the table models, these Diana and Diana Mayor floor lamps preserve the slenderness and clarity characteristic of the entire collection. They are formed by a central metallic shaft, the diameter of which gets thinner as it rises, supporting a wide linen shade in a smooth cone-like shape that disperses the light of two bulbs arranged in such a way as to avoid shadows forming on the shade.
  • Pie De Salon

    By Santa & Cole Jaume Sans’ public facet portrays him as a surrealist sculptor and painter, and a member of the ADLAN group, the supporters of which included such prominent figures as Dalí, Miró and Calder, all acquaintances of the GATCPAC architects with whom they shared their social venue in Passeig de Gràcia in pre-Spanish Civil War Barcelona. In his private life, Jaume Sans was the father of many children who became big names in the field of Catalan design (such as Pete Sans) and, on occasions, he also created several pieces for family use, such as his Pie de Salón. With a minimalist structure, the central shaft – covered in leather to lend it an improved feel – can be adjusted in height from the top and opens out onto a simple tripod base, allowing the cable to easily pass through. Shades in a range of colours and finishes can be used to give an impression of uncommon, warm, uncomplicated timelessness.
  • Trípode G5

    By Santa & Cole A bundle of three black tubes, joined like a set of chopsticks, holds up a generous ribbon shade. Trípode is a series conceived to lend plain rooms a warmer touch through the use of colour. The cotton shades revive long lost handicrafts and generate vivid hues of light. When on, the lamp provides a generous, warm light, and when off, it stands like a large sculpture, lending rooms a touch of class. The Trípode series comprises a floor lamp and a table version in two sizes: Trípode M3 and Trípode G6.
  • Estadio

    By Santa & Cole A sturdy luminous ring, originally conceived for the 1992 Barcelona Olympic stadium, its concept predecessor is found in the ironwork luminaries used to hold up candles, the traditional depiction of mediaeval chandeliers in palaces and cathedrals. A tubular structure forms the frame of the ring, the inner and outer shades of which are made from glass block sections that disperse the light by means of vertical light and shade streaks. The Estadio collection, with various pendant diameters, is complemented by the Línea Estadio (with a straight structure, which can be linked one after the other) and the Estadio wall lamp. Size: 36 (H) x 150 / 250 (Dia)
  • GT7

    By Santa & Cole The imposing GT7 ribbon shade lamp appears to be similar to the GT5, although it is larger in size, meaning it needed to be strengthened and had to incorporate an upper metal disc (near to the three light sources) as well as the lower light diffusing disc. Ever since the early 1990s, Santa & Cole has championed the use of ribbon shades to embellish all manner of light sources, exploring textiles and experimenting with colours and tones (they even enlisted the help of Raw Color studio). The GT5 was the first in the collection arising as an alternative to the use of continuous textile, methacrylate and cardboard shades. It was followed by the GT6 and, later on, the larger GT7, GT1000 and GT1500, designed for use in public venues owing to their large dimensions. This is a colourful family that is able to change its scale without losing its essence. Size: 44 (H) x 90 (Dia)
  • Nimba

    By Santa & Cole Nimba is the first lamp designed by Antoni Arola. It is a floating ring of light formed by a metal profile that houses the light source and a lower shade to diffuse the light. Nimba is named after the halo or aureole of the holy depictions – “it can be seen but is not there” – and owing to its arrangement, the light focuses in the middle of nothing in order to spread the light in all directions. Used in a single unit or with several, Nimba creates incorporeal, spiritual atmospheres; it illuminates in a diffused, though effective fashion and is perfect for thoroughfares and retreats. The series comprises four models of increasing diameter, all using LEDs and seamlessly fusing simplicity and high-tech. Size: 8 (H) x 64 / 90 / 120 (Dia)
  • GT5/GT6

    By Santa & Cole Conceived for average-size settings and areas in the home, GT5 and GT6 are two ribbon pendant shades that are capable of lending character to any venue by dint of merely being there. Ever since the early 1990s, Santa & Cole has championed the use of ribbon shades to embellish all manner of light sources, exploring textiles and experimenting with colours and tones (they even enlisted the help of Raw Color studio). The GT5 was the first in the collection arising as an alternative to the use of continuous textile, methacrylate and cardboard shades. It was followed by the GT6 and, later on, the larger GT7, GT1000 and GT1500, designed for use in public venues owing to their large dimensions. This is a colourful family that is able to change its scale without losing its essence. GT5 Size: 32 (H) x 62 (Dia) GT6 Size: 23 (H) x 45 (Dia)